It ’s the Old Hollywood trick : Take a moving picture of something small andmake it front giant . But that does n’t mean it ’s any less psyche - bend when a Hot Wheels toy dog looks like a wholly drivable , $ 1 million F1 racing car .
https://gizmodo.com/shooting-challenge-scale-effect-5950475
WINNER: You Could Sell This Car On Ebay
As an avid model car collector and amateur photographer this week ’s shooting challenge was spot on . I did n’t have my principal camera handy so I was forced to use an ancient Sony Mavica . I take this guesswork of the gorgeous 1/18 Ferrari 250 GT SWB by CMC Diecast in the nearby park . I was lying on the ground trying to recreate a point of prospect that would simulate a real gondola photo . Fortunately the old Sony did n’t let me down even though it store photograph on a very unreliable mini standard candle ( ! ) and I ’m passably proud of with the results .
– David Bello
Night Bike
Started off by team up her against a pitch-black t - shirt , but somehow result did n’t appeal to me much .
I decided to put her in front of a well illume background on a screen , and so began the search for a squeamish , night city backdrop . Found a couple and kept trying out dissimilar combinations , until finally settle down for this one , against my 2008 R6,1:18 . Could not find enough light for the bike , hence settled for the silhouette . 1/80 sec , f/5.6 . Shot on Canon 1100D.
– Neel Indap
Lewis Hamilton
This car is from the Lewis Hamilton Collector ’s Edition from Hot Wheels - It is one of the few , but most detailed , of the models that I own , and I knew it would credibly cultivate the best for this shooting challenge . The reflective base is due to red paint Plexi , with black Plexi in the back . I tried using a bit of smoke under the manakin to give it a car show vibe . It was get down from the top with a diminished bank of LEDs , and from the front with a small flashlight . No photoshop was used , except to convert it to the right file size . canyon 5D Mark III , 70 - 200 mm . ISO 400 , F / 14 , 1/2 2nd exposure .
– Matt Genuardi
Pharaoh Bender
An minute before this competition shut down I decided to enter so I speed around the house to obtain something to germinate . Then I remembered my Bender natural process anatomy and I knew I had the answer to my problem . foresighted floor inadequate , I engender my tripod slung down low so I could get a ‘ looking way up ’ form of perspective . The background is a bedroom bulwark in the basement with Light Within add up in through the east windowpane . Kind of count like a foggy sky , which worked out pure . canyon EOS 7D , Canon EF 24 - 70 mm f/2.8L Lens , Focal Length – 32 mm , Aperture – 3.5 , Shutter – 0.8 , ISO – 100
– Joel Dearing
To The Tumbler!
I know the operating instructions say to fall things up fully grown time , but Batman in broad daylight ? I waited for shadow , sour off all the twinkle away from a single desk lamp aim at a wall for indirect Light Within . Shot on a Nikon D200 at 120 mm zoom , ISO 400 , F/29 . LONG photograph need a tripod and several attempt since the cat kept wanting to search what I was doing and mess up the picture .
– Patricia Jemison
Lambo
So I decide to disregard that bakshish about using a plain background . I set up my lil ’ Murcielago on a shoe box in front of a picture displayed on my information processing system monitor . Faux - sun render by desk lamp . Canon 7d , Tamron Macro at 28 mm , 1/40 sec . , f/7.1 , ISO1600
– Angelico Tolentino
Enlisted
want to honor the soldiers we still have in legal action fighting the good fight , and to commemorate my recruitment into the U.S. Army . Used a realistic scale figurine placed in the yard at night with tungsten lighting . crop , contrast readjustment , white balanced and vignetted . Canon T2i Canon 15 - 85 millimeter @85 millimetre f10 30sec ISO100
– Bobby Triantos
The Final Frontier
I figured EVERYONE was going to be buck dice shape gondola , I wanted to do something unlike . So , I took my Art Asylum Enterprise vitamin E and shoot it . This was on my Nikon D200 with a 55 - 200 mm lens at ISO 400 . I was zoomed to 95 mm . All I did for post was standard point and a turn of darkening . The background is one of the Hubble Deep Field that I borrowed from public sources .
– Joe Burke
This challenge was an incredible amount of fun , was n’t it ? perhaps the right tip I wish well I ’d dug up was simply “ put a model in front of a reckoner monitor . ” grotesque work by all , and kudos to those of you who had the boldness to stray from the automotive diligence . See the full art gallery below and download the wallpaperson flickr .
CultureScale
Daily Newsletter
Get the upright technical school , science , and culture news in your inbox daily .
intelligence from the future tense , delivered to your nowadays .
Please select your desire newssheet and submit your email to upgrade your inbox .
You May Also Like
