The history of the Star Wars logotype has long been controversial for its purported connection to fascist or even Nazi typography . After all , the Star Wars saga is an apparent doctrine of analogy for World War II , where the Empire is the Third Reich and Darth Vader represents Adolf Hitler .

So it would n’t be a surprise if elements of the motion picture , like its logo , were pulled from fascist informant , proper ? Not so fast .

In a terrific Hopes&Fearsfeatureon fonts and movie posters , Garbriella Garcia revisits the contestation over the Star Wars logo ’s origin . Garcia explains how George Lucas to begin with told designer Suzy Rice to produce a logo that looked “ very fascist . ” Rice ’s anamnesis of her process laterappeared in The Star Wars Poster Book , where she choose what she says she “ reckoned to be the most ‘ fascist ’ typeface I could intend of : Helvetica Black . ”

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Rice used Helvetica Black as her inspiration for the original variant of the Star Wars logo — though of course of study , she alter elements of the logotype drastically as you may see when you count at “ STAR WARS ” try in Helvetica Black without any alterations :

So why did Rice reckon Helvetica Black to be the most fascist - looking font ? manifestly she ’d been translate a book about German face design the night before Lucas inquire her to design something that would have “ an intimidating impact ” on the audience , and thought she remembered the book saying something about how Helvetica grew out of typefaces Joseph Goebbels had selected for Nazi propaganda .

“ Apparently , the book established Helvetica Black as the inevitable evolutionary Cartesian product of a typeface intent that Joseph Goebbels had grade to represent the German Nationalist party on all of its signage , ” Garcia explains .

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Over the years , Rice has been sharply criticized for implying that Helvetica is a fascistic typeface , and that it had any connection to Nazi typography . She responded to this criticism in multiple blog post clarify the issue .

“ ‘ Helvetica amount much after but was described in this Good Book I ’d been interpret as somewhat like visually to that earlier signage , ” Rice clarified .

Ricewrote in 2011 — vehemence hers :

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My original statement that Helvetica Black “ was the most fascist font I could think of ” was as to the surround FROM WHENCE THE FONT ORIGINATED , the “ general environment ” of culture and time prior to , during and directly after World War II , and , as to the rigorousness in show of the font itself . It was “ fascistic ” based upon what I ’d teach about how that typeface was developed and within what history epoch it originate — not “ a fascist typeface ” in and of itself but from a period of human , political history hold of certain severe conditions WHICH ATMOSPHERE PROVIDED ME WITH AN divine guidance FOR THE DESIGN .

As she allude to in the caps - heavy text above , it was n’t the provenance of the Helvetica typeface itself that seemed fascist to her , but rather the “ severity in visual aspect . ”In another mail service , she excuse that Helvetica was n’t barrack by Nazi typography — it was just visually similar to some of those card font :

To state the obvious — contrary to outlandish gossip as if I ’d state otherwise — Helvetica was n’t used by Goebbels nor was Miedinger , to my knowledge , associated with Goebbels . Meidinger ’s ‘ Helvetica ’ came much after but was described in this Holy Scripture I ’d been reading as somewhat similar visually to that former signage .

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Indeed , Helvetica was decades away from being designed when fascism drove Europe to war . It was designed by Zurich type designer Max Miedinger and renamed “ Helvetica , ” which is Latin for “ Swiss . ” The Haas Type Foundry , where Miedinger designed Helvetica , didn’t loose the typeface until 1957 .

And ironically enough , despite its distinctly timeless appearance , Helvetica was in reality a throwback design — a throwback to , you guessed it , a German typeface from decades before the state of war . In the former nineteenth hundred , so - call Grotesk fonts became stylish . ( Grotesk means “ sans serif ” in German . ) Berthold , the biggest character metalworks in Germany , exhaust the Aksidenz Grotesk crime syndicate in 1896 for use as a video display character .

Futura is the chief fount on the first poster that would bear Rice ’s logo . The more familiar logo to the right , as you may see , as been slightly adjust .

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It ’s wide acceptedthat Helvetica is largely ground on Aksidenz Grotesk , with small details borrowed from other German and Swiss font of that era . In fact , when you look at the two side - by - side , it ’s concentrated to tell the difference . To the left is a handy compare chart between Aksidenz Grotezk and other democratic san serif fonts , made by Wikipedian Geared Bull . This is all to say that none of these fonts are really fascistic — they’re derivative of a menstruum that dates back decades before fascism rose in Europe .

The Grotesk tradition kick off over a century ’s worth of sans serif typeface designs . These typefaces were primitively designed to seem in rubric and on signs , so there ’s an inherent vehemence on readability . That does n’t necessarily interpret into the typefaces seeming intimidating . It would even make some good sense that Goebbels used san serif typefaces on his post-horse — because these fount are contrive to appear on posters .

So no , the Star Wars logotype nor the Helvetica font that exhort it do not have actual origin despite the pervasive myth . If you want to get even deeper in the contention over the Star Wars logo and Nazism , there’san splendid and in depth web log Emily Post on the issueover at Star Wars Modern . ( The TL;DR interlingual rendition is basically that the Nazis actually favored Gothic typefaces , though some sans serif and modernist material did pop up here and there . ) If you desire to find out more about the surprisingly drawn-out history of the Star Wars logo itself , check out this Gizmodo Charles William Post all about it .

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[ Hopes&Fears ]

Top art viaGizmodo

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